I've sat on Yakuza's Samsara for almost a year now, it was one of the last CDs that came in during my watch as metal director at WLFM. The first track "Cancer of Industry" was pretty br00tal and the muezzin-styled intro, that I assumed to be sampled, stuck it in my head. It wasn't until last week that I finally got back to listening to the rest of the album, it turns out that those saxophones at the beginning are real, and that the sax player is a dedicated member of the band. He's also listed as a vocalist, so I'm not sure if he's the one doing the standard hardcore scream or actually singing ("clean vocals" as we in the biz call them). The standout in my opinion is "Exterminator" which primarily features the aforementioned clean vocals and our saxophone friend with the courage to play that most metal of instruments, the soprano sax.
An impoverishered grad student in Iowa still managing to participate in bleeding-edge classical, flooding, and other pretentious horseshit.
Thursday, January 18, 2007
Blow Your Gats On This One
I've sat on Yakuza's Samsara for almost a year now, it was one of the last CDs that came in during my watch as metal director at WLFM. The first track "Cancer of Industry" was pretty br00tal and the muezzin-styled intro, that I assumed to be sampled, stuck it in my head. It wasn't until last week that I finally got back to listening to the rest of the album, it turns out that those saxophones at the beginning are real, and that the sax player is a dedicated member of the band. He's also listed as a vocalist, so I'm not sure if he's the one doing the standard hardcore scream or actually singing ("clean vocals" as we in the biz call them). The standout in my opinion is "Exterminator" which primarily features the aforementioned clean vocals and our saxophone friend with the courage to play that most metal of instruments, the soprano sax.
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